Multimedia
Representations of Students Work Over Time
Tips
& Reflections
I
could write quite a bit about my experiences with digital portfolios,
but I realize this is not the medium for a lengthy bit of text. I will
highlight only a few recommendations and thoughts and will address any
questions in Questions & Comments.
Frankly,
we have varied success with the portfolios but for a number of reasons
we persist.
First, the time to develop the portfolios is
tremendous. We have been fortunate to have release time three times a
year in order to work on the portfolios but much of the work is still
done after school or at home.
I chose to use Tevin as a
sample for some of the portfolio work in this presentation because the
digital portfolios have proven to be somewhat of a successful vehicle
for demonstrating some of his growth. Tevin obviously has oral language
issues and audio and video are mediums we have used to help capture his
growth over time and reflect on what we need to do to enhance his
learning experiences. I think digital portfolios can be beneficial for
students like him -- students that demonstrate their learning in ways
that are not easily captured in traditional ways.
The
work with digital portfolios, especially ones such as Tevin's, has
prompted some deep conversation between some teachers and grade levels
in our school. We have questioned whether there is a relationship
between race, class or gender and language development; whether our
suburban, predominantly white middle class school system can fully address the needs of some students
with more diverse backgrounds; and how we can balance the need
for a formal school curriculum with some student's obvious need to play
and have opportunities for social interaction.
In part,
these conversations have been brought out by the work with portfolios,
and for this reason alone some of us continue to construct them.
Other
thoughts:
-
Start the process of creating portfolios with a small
group of teachers, perhaps one grade level or a group of teachers
across successive grade levels. Some of the first grade teachers
have been frustrated with the knowledge that the work from
kindergarten and first grade may not be followed up in second grade.
And, moreover, if this small seed does not flourish it can die more
easily.
-
Use familiar programs to develop the portfolios. We
initially used a commercial software that purported to develop
digital portfolios but found it too restrictive for teacher's varied
purposes and design preferences. We then used another multimedia
production tool that seemed too flashy for our needs. We finally resorted
to using FrontPage, a web based authoring software. Although this
software can certainly do everything that we want it to do and more,
the learning curve for some is steep. Recently, however, I have
shown other teachers in other schools how to use Word 2000 to do
much of what most teachers want to use a digital portfolio for
(insert images, key in text, insert simple audio and video
recordings, save as a web page, etc.). Working with multimedia will
not be as robust with Word 2000 but it will serve many portfolio's
purposes and most teachers are already familiar with it.
-
Use multimedia. I have used the portfolio samples of
Tevin because audio and video have provided a piece of his growth
which could never be fully captured by traditional means. Although
viewing his written pieces are beneficial and a digital portfolio
has merit as an archival medium, multimedia will make the work
resonate over time.
-
Consider having the students take ownership of the
portfolios as much as possible. The fifth grade sample was done by a
student and, frankly, many more students learn the technical requirements
of digitizing faster than teachers. We have recently realized that
the template created for the fifth grade sample has also been too restrictive.
Looking at the sample you will notice that the art section is more
rich than the others. Some students simply dropped in work to fill a
section even though they had no commitment it. Can the students
create their own portfolio beginning with a simple blank page? And
will the results still provide a clear lense in to their work over
time?
-
Consider having portfolios for all students or just
certain groups of students. If the students are not directly
involved with the digitizing it is too onerous a task for teachers
to create portfolios for all students. The first grade teachers, for
example, have recently decided to record all students in the Fall
next year and then follow up with only the "at risk" students in the
Spring. As stated above, I think portfolios can be more easily
managed for all students if the students are the ones creating them.
-
Standardize the portfolios over time. Our work with
the Child Study Center (see Background)
has helped us to
consider the digital portfolio work "Collections of Work" rather than
"Digital Portfolios." The connotations between the two are
quite different. I think standards are inevitably addressed when
teachers have opportunities to come together and discuss student
work. And, as alluded to above with the first grade template,
standards imposed at the beginning can sometimes make the work
stale.
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